Example applicationCorporateExecutive briefing wall16 ft 5 in × 6 ft 7 in (5 m × 2 m) indoor fine pitch, P1.5, integrated mountView example application Industries
LED walls for broadcast and studios.
Studio walls become part of the picture, so the specification has to account for close camera work, content detail, lighting and the production workflow.
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Why it matters here
Designed for the way this room works.
The wall is both a display and a studio surface, with the camera seeing every decision made in the room.
Works at close range
Fine pitch and wall scale are considered for cameras, presenters and the nearest production positions.
Supports the lens
Brightness, color behavior and the relationship to studio lighting are reviewed for the intended shots.
Fits the content pipeline
Processing and playback are planned around graphics, live sources, media servers and production control.
Allows practical service
Mounting, rear access and cable paths are considered without compromising the set or production area.
Recommended configuration
A starting point for this environment.
The room sets the direction; the survey confirms the exact specification.
- Pixel pitch
- P0.9–P2.5 mm
- Viewing distance
- 3 ft (0.9 m) and closer
Typically also needed
Processing and playback for cameras, media servers, graphics and live production sources.
Exact specification is confirmed at survey.
Technical considerations
The details we check.
- Review wall flatness, mounting, service access and the camera-facing surface of the set.
- Map camera positions, lens distances, presenter marks and the closest production sightline.
- Coordinate power, data, genlock or signal requirements with the existing production path.
- Consider studio lighting, color behavior, scan artifacts and the content shown during each setup.
- Plan how operators will switch, test and service the wall without interrupting production.
Example application
A relevant starting point.
Configurations shown are illustrative of the spaces and specifications ATGEN designs for.
Example applicationCorporateExecutive briefing wall16 ft 5 in × 6 ft 7 in (5 m × 2 m) indoor fine pitch, P1.5, integrated mountView example application Industry questions
Questions about broadcast and studios.
What is different about a studio wall?
Camera distance, lens position, lighting, color behavior and the content pipeline are reviewed together because the wall becomes part of the shot.
How close can a presenter work to the wall?
The closest camera and presenter positions help determine the pitch band and wall specification, which are confirmed at survey.
Can the wall connect to production sources?
Processing and playback can be planned around cameras, media servers, graphics, live sources and the existing production path.
How is service access handled in a set?
Mounting, rear access and cable paths are designed around the set and production area so maintenance remains practical.
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Tell us about your space.
Share the basics and we’ll help define the right next step for your broadcast and studios project.